Scenes From The Second Storey Rar File
10.09.2019by admin
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Edit Although scenes from Star Trek: The Cage (1966) (1966) feature Jeffrey Hunter as Captain Christopher Pike, he was unavailable and unaffordable for the framing story into which the scenes were to be inserted. Sean Kenney, an actor who resembled Hunter, was used instead. He plays the mute, crippled Captain Pike, now wheelchair-bound after an accident.
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The original pilot Star Trek: The Cage (1966) (1966) was directed by Robert Butler and the new framework story by Marc Daniels. Since Star Trek: The Menagerie: Part I (1966) consists mostly of framework and Star Trek: The Menagerie: Part II (1966) is primarily made up out of 'The Cage', Daniels received directing credits for the first part and Butler for the second. The same applies to the crew listed during the end credits: part 1 lists the regular series crew, part 2 those of the pilot.
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The only 2-parter in Star Trek (1966). All Star Trek spin-offs had many two-part stories.
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Robert H. Justman convinced Gene Roddenberry to write a two-part episode using footage from Star Trek: The Cage (1966) (1966) because they ran out of scripts and would have had to shut down production otherwise. The script was written quickly in three or four days because it mostly consists of scenes from the original pilot.
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The original script was written by John D.F. Black but Gene Roddenberry did not like it and rewrote it. Black filed a grievance with the Writers' Guild over payment and screen credit, but his claims were denied.
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The 'frame' story of Captain Pike's injury, Spock's kidnapping of his former captain, and the return journey to Talos IV was necessitated because the producers' inability to use the original pilot Star Trek: The Cage (1966) (1966) in its unedited form. Normally, series producers count on being able to use the pilot as an episode of the season, despite possible minor changes from the regular series, such as (on Star Trek (1966)) differences in uniform styles, terminology, and props; the second pilot, Star Trek: Where No Man Has Gone Before (1966), was used despite such discrepancies. But the differences between the series and the original pilot were too stark to be used unaltered - without the elaborate 'frame' placing it 13 years in the past.
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This episode was the first Star Trek material to be officially released by Paramount on any home video format in the United States, first in 1980 on VHS and Betamax, followed by a RCA SelectaVision CED videodisc release in 1981, and a US Laserdisc release in 1984.
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The novel Burning Dreams establishes the subspace message summoning Enterprise to Starbase 11 was not a fabrication by Spock, but instead an illusion by the Talosians making Spock think he actually did receive a message, and then the Talosians spoke telepathically to Spock, making him aware of Pike's condition and asking him to bring Pike to Talos IV. The novel also establishes that at the end of the teaser, when Spock tells Pike, 'I have no choice,' their conversation continued with Spock telling Pike that the Talosians were aware of his condition and wanted to give him a chance for a better life than what he had and that Spock actually asked Pike for permission to try to help him.
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According to James Doohan, Gene Roddenberry originally wanted to sell the failed pilot as a theatrical film. However, it needed to be expanded with additional material to reach the feature length. Roddenberry planned to film the crash of the Columbia on Talos IV, because it didn't require Jeffrey Hunter, who was neither available or affordable to reprise his role as Captain Pike. However, plans for the feature release were soon abandoned.
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The file on Talos IV contains the following: TOP SECRET Subject: TALOS IV in the third quadrant of vernal galaxy. Known facts: Detailed information cross referenced with 3XY phagrin level mass computer. The only Earthship that ever visited planet Talos IV was the U.S.S. Enterprise commanded by Captain Christopher Pike with Half-Vulcan Science Officer Spock. Recommendations: Be it hereby noted that the following instruction be incorporated into STARFLEET policy.. NO ONE WILL EVER VISIT TALOS IV. The following officers have visited Talos IV and recommended that no human should ever visit it again.. Captain Christopher Pike Half-Vulcan Science Officer Spock STARFLEET COMMAND by order of (signed) Robert L. Conrad Commanding Officer
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Malachi Throne provided the voice of the Talosian Keeper in Star Trek: The Cage (1966) (1966) , which was also Leonard Nimoy's first Star Trek (1966) appearance. Throne was also with Nimoy for his final 'Star Trek' television, Star Trek: The Next Generation: Unification II (1991).
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Footage of the shuttlecraft is reused from Star Trek: The Galileo Seven (1967). But because it was aired before that episode, this is technically the first episode featuring the shuttlecraft in Star Trek (1966).
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It Seems the nation of Cuba still exists in the 23rd Century. During the court-martial scene, if you look carefully (to the right of where Captain Kirk is seated), you can see a flag stand in the back of the room, and looking at the flag hanging on it, you can make out the blue stripes and red triangle, which are part of the Cuban flag.
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Sean Kenney's make-up as the injured Captain Pike took five hours to apply. Also, his hair had to be dyed white, which then turned out to be too bright for the cameras, and had to be softened with powder.
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Jeffrey Hunter accepted the lead role of Captain Christopher Pike in 'The Cage,' the first pilot episode of Star Trek. but declined to film a second Star Trek pilot, requested by NBC in 1965, deciding to concentrate on films. Footage from the original pilot was subsequently adapted into a two-part episode called 'The Menagerie' and screened in 1966. It wasn't until 1988 that it was screened intact as a filler episode in Star Trek: The Next Generation (1987) due to a writers strike.
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A matte painting was created for the Starbase 11 exterior. Large cranes can be seen in the background, representing construction on the starbase or perhaps assembly of starship components. The wall used in this scene was recycled for Star Trek: A Taste of Armageddon (1967), Star Trek: Wolf in the Fold (1967), Star Trek: Plato's Stepchildren (1968), and Star Trek: Wink of an Eye (1968). The round dais in front of the wall was later used by Tharn and his council in Star Trek: Mirror, Mirror (1967).
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The original version of Star Trek: The Cage (1966) (1966) was shown at a number Star Trek Conventions in the late 1970s, (as well as a 'Blooper Reel'). It was listed in the program as the unaired original pilot for the series.
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In the archival footage shown at 39:07, Spock walks with a noticeable limp. There is no explanation for his limp, and he walks normally in all other scenes.
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The original 'envelope' script was written by John D.F. Black. However, Gene Roddenberry was very unsatisfied with it, and rewrote it completely, finally taking sole writing credit. The insulted Black filed a Writers' Guild grievance over payment and screen credit, but his claims were denied.
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Robert H. Justman convinced Gene Roddenberry to write a two-part episode utilizing the first pilot because they ran out of scripts in the middle of the first season, and had to shut down production otherwise. Roddenberry called it 'the envelope' and wrote the episode in three or four days. Director Robert Butler claimed it was Roddenberry's entrepreneur talent which managed to find a way using the failed pilot as a money saving device for the show.
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The Starbase Operations set is a redress of the engineering room set. An opaque blue wall has been placed behind the grid to hide the forced perspective set. The panel in this room from which Spock issues orders to the Enterprise is a re-use of the neural neutralizer control panel from Star Trek: Dagger of the Mind (1966). The computer banks in the room will later be seen in 'A Taste of Armageddon' and aboard the shuttlecraft in Star Trek: The Immunity Syndrome (1968).
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The structures seen outside Mendez's windows are cut-outs of buildings. In the first scene in Mendez's office, behind Kirk is a clear view of a corner of the set behind one of the pieces.
Scenes From The Second Storey Rar File Pdf
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Scotty does not wear a dress uniform during Spock's court-martial, possibly due to budget constraints. He would finally get a dress tunic in Star Trek: Space Seed (1967).
Scenes From The Second Storey Rar File Player
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While talking to the scientists on Talos IV, there is a green and silver cylinder visible on the table. This is clearly a Stanley coffee thermos. Apparently, the Stanley thermos works so well that they are still using it in the 23rd century.
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This is the final appearance of the tan phaser/communicator belts.
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The Talosian 'Keeper' alien was actually played by a woman - Meg Wyllie (as were all Talosians). The telepathic voice is alleged to have been dubbed by Malachi Throne who coincidentally played Commodore Jose Mendez in 'The Menagerie.'
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During his first argument with Mendez, Kirk points out that computer records can be altered. He ought to know; the plot of the previous production order episode, 'Court Martial', turns on just that occurrence.
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Commodore Mendez's desk features one of the goose-neck video screens seen on the early Enterprise bridge in Star Trek: The Cage (1966) (1966) .
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During the indoor scenes on Starbase 11, if you look outside the windows at the night sky and cityscape, you can occasionally see white objects passing by. These may have been intended to be shuttles or shooting stars. The most clear and undisputed scene in which to see one of these objects is in the beginning. After Commodore Mendez approaches Captain Pike in regard to his visitors, you can see a small white dot slowly flying in the lower left of the window.
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The preview trailer for this episode has the stardate as 1512.2. In the original broadcast, Leonard Nimoy opens the trailer by saying 'You'll learn next week...' In syndication, this line was shortened to 'You'll learn next-' with the last word noticeably cut out.
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In this episode, Star Trek: Court Martial (1967) and Star Trek: The Conscience of the King (1966), we see 23rd century doors that are opened with handles.
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When Spock presents himself for arrest, he states; 'Lt. Hanson is in operational control.' No in-universe reason is given for command not falling to 3rd in command Lt. Commander Scott (Scotty). It should be noted, however, that at this point in the series, Scotty's position as third in command had not yet been established; in instances where both Kirk and Spock were off the ship, it was not shown who was in command. Even though he technically outranks Hanson, McCoy does as well, but is not in the chain of command.
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A shot which shows crewmembers listening to the intercom in a corridor is reused from Star Trek: The Corbomite Maneuver (1966). It can also be seen in Star Trek: Assignment: Earth (1968).
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Marc Daniels finished the episode in five and a half days instead of the usual six, which compensated for running half a day late with Star Trek: Court Martial (1967), which he directed back-to-back with 'The Menagerie'.
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While not explicitly stated, it should be noted that by the wording of General Order 7, as well as the file Mendez shows Kirk, the entire crew of the Enterprise would be subject to the death penalty upon arriving at Talos IV - including Mendez himself - not Spock alone.
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Majel Barrett appears as Number One, while in The Original Series she usually plays Christine Chapel. She is also known for playing Lwaxana Troi in Star Trek: The Next Generation and Star Trek: Deep Space Nine
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There have been many reasons given for Jeffrey Hunter not continuing as the captain. The one that rings most true is from Shatner's book where he relates that Hunter's wife was a constant irritant to the production staff with never ending demands for how Hunter was to be handled and treated. Other books say his wife came to a screening pitch for the pilot and declared he wasn't interested because he 'was a movie star'. It seems likely the second story is a cover for the first and the first is the closest to the truth, .. Roddenberry decided he wanted to be rid of Hunter and his wife and their demands and so never actually offered him a contract to continue.
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This is the first time that the trio of Kirk, Spock, and McCoy beam down unaccompanied by any security guards or other personnel. Other episodes in which this occurred are Star Trek: The Devil in the Dark (1967), Star Trek: Catspaw (1967), Star Trek: Amok Time (1967), Star Trek: Bread and Circuses (1968), Star Trek: A Private Little War (1968), Star Trek: A Piece of the Action (1968), Star Trek: The Paradise Syndrome (1968), Star Trek: And the Children Shall Lead (1968), Star Trek: The Empath (1968), Star Trek: For the World Is Hollow and I Have Touched the Sky (1968), Star Trek: Plato's Stepchildren (1968), Star Trek: Requiem for Methuselah (1969), Star Trek: All Our Yesterdays (1969) and Star Trek: Turnabout Intruder (1969).
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The preview contains a Captain's Log recorded solely for the preview: 'Captain's log, stardate 1512.2. Why does Spock want to take us to that one forbidden world in all the galaxy? His former captain, mutilated by a recent space disaster - unable to speak or move..'
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The door to Pike's quarters, in the Intensive Care area of Starbase 11, opens on hinges, rather than sliding into the wall. The courtroom door in Star Trek: Court Martial (1967) is similarly hinged.
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The footage used from the original pilot Star Trek: The Cage (1966) (1966) was directed by Robert Butler. He is not credited for it here although he is credited as the sole director of Star Trek: The Menagerie: Part II (1966) despite that episode also containing material shot by Marc Daniels.
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When Commodore Méndez leads Kirk, Spock and McCoy to see Capt. Pike, a crewwoman stands to attention as they pass. This would appear to be a sort of respectful 'salute' to superior officers. However, to this point, such 'salutes' had not been established as part of Federation culture.
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This starbase is the same one seen in Star Trek: Court Martial (1967). It is not made clear why there is now a different commodore in charge of the base. Perhaps Mendez and Stone had different responsibilities. Stone had been referred to as the base's commanding officer in the previous episode, named in the credits as the 'portmaster.'
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This episode established the tradition of using a ship's bell instead of a gavel during a Starfleet court martial. The idea for the bell was introduced in Don Mankiewicz's original story outline for Court Martial (1967). The tradition continued in later Star Trek series, and similar bells were seen in The First Duty (1992) and Rules of Engagement (1996).
In the original broadcast version of the episode the Starbase 11 shuttlecraft was depicted with recycled stock footage of the Galileo. In the digitally remastered version the shuttlecraft is given new markings, and a new registration number: SB11-1201/1. It is also given a name - the Picasso.